Film explores Latina union leader who organized farmworkers

Laurie Coyle, the film’s director and producer, said the idea for the project began after she found photos of Moreno tucked away in an archive. The images — captured by the late farmworker photographer George Ballis — showed Moreno speaking in front of crowds, organizing workers in the fields of California and racing to other events with her children and husband.

“She had this piercing glaze and always seemed to be surrounded by children,” Coyle said. “I couldn’t help to be captivated.”

With little information to go by, Coyle began investigating Moreno’s life and discovered radio journalist Ernest Lowe had followed Moreno during her activist days. He, too, had been enchanted by Moreno.

Born in Karnes City, Texas, to a Mexican immigrant father and Mescalero Apache mother, Moreno and her family had been migrant farmworkers for years, following the crop in Utah, California, Arizona and Texas.

Coyle also found out that Moreno started her union activism following an April 1958 flood that forced many farmworkers into near starvation. One of her sons went blind temporarily due to starvation, reporters and family members said.

“How do you think that I feel … seeing my son blind only because we don’t got nothing to eat?” Moreno said in one impassionate speech. “(Meanwhile), some other tables are full and wasting food.”

She became active in the Agricultural Workers Organizing Committee, a fledgling union sponsored by the AFL-CIO, gaining broad support from Oklahoma migrants, Filipino American workers and Latino pickers. “It was so unusual for a woman like her back then to be in this position,” Coyle said.

Speaking invitations started pouring in after Moreno’s reputation grew as a tireless organizer and a hypnotic speaker.

“The first time I understood that she was somebody different was when she went to (University of California,) Berkeley,” Martha Moreno Dominguez, her daughter, said in the film. “I realized who my mother really was … I said, wow, you know. Here’s my mother, a second grade education doing this.”

But union infighting and jealously eventually forced her out in 1962. Documents show an AFL-CIO official accused her of misspending and she was forced out of leadership.

“She wasn’t afraid to say whatever she had to say,” said Gilbert Padilla, co-founder for the United Farm Workers. “I assume that’s why they got rid of her.”

When Cesar Chavez began looking into forming his own farmworkers union, he declined to ask Moreno to join his effort, seeing her as “big mouth” and possibly rival, Coyle said, citing a letter and interviews.

Coyle said Chavez probably viewed her Pentecostal beliefs in contrast to his Catholic upbringing. “There may have been some sexism involved, too,” Coyle said.

The Agricultural Workers Organizing Committee and the Chavez-led National Farm Workers of America merged their organizations in 1966.

Moreno’s children say she left California and stopped in a remote part of the Arizona desert 100 miles (161 kilometres) west of Phoenix and asked God for guidance.

She eventually became a Pentecostal minister along the U.S.-Mexico border in San Luis, Arizona, and sought to transform society one soul at a time instead of focusing on systemic change.

Moreno died in 1989, largely forgotten.

The film, a presentation of VOCES, is slated to premiere Friday on most PBS stations.

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Russell Contreras reported from Albuquerque, New Mexico. He is a member of The Associated Press’ race and ethnicity team. Follow him on Twitter at http://twitter.com/russcontreras

Russell Contreras, The Associated Press

by Canadian Press

Film explores Latina union leader who organized farmworkers

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